@media (max-width:767px){.flo-block--8256{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--8256{margin-top:0rem;margin-bottom:0rem}}

.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:1.5625rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__title{font-size:1.5625rem}}.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__links-title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__links-title{font-size:1.75rem}}.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__category{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__image-wrap{color:#ffffff;height:28.125rem}.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__links-divider{background-color:#000000}.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__categories-wrap{color:#000000;background-color:#ffffff}@media (max-width:767px){.flo-block-category-switcher-2--9 .flo-block-category-switcher-2__image-wrap{height:350px}}

@media (max-width:767px){.flo-block--6696{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--6696{margin-top:0rem;margin-bottom:0rem}}

Menú

Todo Box Office (Taquilla) Club CineAsia Críticas Estreno cine Festivales Hablamos con Concursos Reportajes Eventos

@media (max-width:767px){.flo-block--6659{display:none;margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--6659{display:none;margin-top:0rem;margin-bottom:0rem}}

Blog

@media (max-width:767px){.flo-block--4707{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--4707{margin-top:-3.125rem;margin-bottom:-3.125rem}}

@media (max-width:767px){.flo-block--1967{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--1967{margin-top:0rem;margin-bottom:0rem}}

.flo-block-listing-5--737 .flo-block-listing-5__title{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-block-listing-5--737 .flo-block-listing-5__title{font-size:1.75rem}}.flo-block-listing-5--737 .flo-block-listing-5__category{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--737 .flo-block-listing-5__overlay{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-5--737 .flo-block-listing-5__overlay{color:#000000;background-color:#ffffff;background-image:url()}.flo-block-listing-5--737 .flo-block-listing-5__text-area{color:#000000}@media (max-width:767px){.flo-block-listing-5--737 .flo-block-listing-5__featured-image--bgi{height:300px}}@media (min-width:768px){.flo-block-listing-5--737 .flo-block-listing-5__item{width:calc(100% / 3);padding:1.375rem}.grid-sizer{width:calc(100% / 3)}.flo-block-listing-5--737{margin:-1.375rem}}

Lee el post Críticas

Millenium Actress: la obra maestra de Satoshi Kon en cines en 4K

Lee el post Entrevistas

Entrevista a Siew Hua Yeo, director singapurense de ‘A Land Imagined’:

Lee el post Reportajes

Las 10 películas de artes marciales de la historia

Lee el post Animación

Human Lost: el regreso de la ciencia ficción al anime

Lee el post Críticas

La verdad: nuevo envoltorio, mismo contenido

Lee el post Críticas

Parásitos: cuando el alumno se convirtió en profesor

Lee el post Críticas

Hasta pronto, Wang Xiaoshuai: tres horas de cine con mayúsculas

Lee el post Estreno cine

Wang Xiaoshuai: la memoria fílmica de la China contemporánea

Lee el post Críticas

El hotel a orillas del río: la poesía entre hombres y mujeres

.flo-block-listing-pagination--383 .flo-block-listing-pagination__page-links{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--383 .flo-block-listing-pagination__navigation{font-family:Montserrat SemiBold;font-size:0.625rem;letter-spacing:0.2em;word-spacing:0em;line-height:2em;text-transform:none;font-weight:normal}.flo-block-listing-pagination--383{color:#000000}.flo-block-listing-pagination--383 .flo-block-listing-pagination__element-name{}

@media (max-width:767px){.flo-block--3251{margin-top:0rem;margin-bottom:0rem}}@media (min-width:768px){.flo-block--3251{margin-top:0rem;margin-bottom:0rem}}

1 2 3 … 12

.flo-footer--829 .flo-footer-area-1-type-d__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--829 .flo-footer-area-1-type-d__link{color:#000000;background-color:#ffffff}.flo-footer--829 .flo-footer-area-1-type-d{color:#000000;border-color:rgba(0,0,0,0.1);background-color:#e5e5e5}@media (max-width:767px){.flo-footer--829 .flo-footer-area-1-type-d__image:nth-last-child(-n+0){display:none}}

.flo-footer--829 .flo-footer-area-2__link{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--829 .flo-footer-area-2{background-color:;color:#000000;border-color:rgba(0,0,0,0.1)}

.flo-footer--829 .flo-footer-area-2__title{font-family:Helvetica, 'Helvetica Neue', Arial, sans-serif;font-size:0.9375rem;letter-spacing:0em;word-spacing:0em;line-height:1.6em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--829 .flo-footer-area-2__title{font-size:0.9375rem}}.flo-footer--829 .flo-footer-area-2__subtitle{font-family:FreeSerifBold;font-size:1.75rem;letter-spacing:0em;word-spacing:0em;line-height:1em;text-transform:none;font-weight:normal}@media screen and (max-width:767px){.flo-footer--829 .flo-footer-area-2__subtitle{font-size:1.75rem}}.flo-footer--829 .flo-footer-area-2__newsletter-form-email{font-family:BenchNine Bold;font-size:0.8125rem;letter-spacing:0.1em;word-spacing:0em;line-height:1.84em;text-transform:none;font-weight:normal}.flo-footer--829 .flo-footer-area-2__newsletter-form{background-color:#d5a289;color:#000000}

Menú

Blog

Millenium Actress: la obra maestra de Satoshi Kon en cines en 4K

Entrevista a Siew Hua Yeo, director singapurense de ‘A Land Imagined’:

Las 10 películas de artes marciales de la historia

Human Lost: el regreso de la ciencia ficción al anime

La verdad: nuevo envoltorio, mismo contenido

Parásitos: cuando el alumno se convirtió en profesor

Hasta pronto, Wang Xiaoshuai: tres horas de cine con mayúsculas

Wang Xiaoshuai: la memoria fílmica de la China contemporánea

El hotel a orillas del río: la poesía entre hombres y mujeres

Recibe nuestras novedades en tu buzón!

Newsletter

DESEO SUSCRIBIRME

A LA NEWSLETTER DE CINEASIA